Friday, April 19, 2013

Best of Cleveland - Collinwood Edition

Admittedly a little belated, we want to congratulate all of our local winners in the 2013 Scene Best of Cleveland awards. Every year, it is great to pick up this issue of Scene and see who in the neighborhood is recognized for their ongoing awesomeness.

We apologize that this post did not happen closer to the publication date but we have been very busy. This year's winners include:

  • Best Local Clothing Brand - CLE Clothing Company (which is also an owner of Native Cleveland on Waterloo)
  • Best Brunch - Beachland Ballroom
  • Best Music Venue - Beachland Ballroom
  • Best Rock Club - Beachland Ballroom

We also want to congratulate some of our friends:

  • Best Local Blogger - Unmiserable Cleveland for always being supportive of our positives.
  • Best Local Sculptor - Loren Naji (who is about to launch an installation house near Waterloo)
  • Best Place for Free Fun - Cleveland Metroparks (who are about to have three parks in the neighborhood)

Monday, April 1, 2013

Space Rock Opens!

Thanks to support from ArtPlace, Northeast Shores was able to provide funding for the creation of a new gallery on Waterloo Road. Please see the following press release regarding the opening of the first show this coming weekend:

Rock and Roll Gallery Space: ROCK Opens on Waterloo April 5
First show: “The Golden Age of Cleveland Rock: 1969-1974”
Space: ROCK, a new gallery devoted to Cleveland music history and photography, officially opens on Friday, April 5. Its first full-scale exhibit, “The Golden Age of Cleveland Rock: 1969-1974,” focuses on a time period when many local bands were getting signed to record labels and attracting national attention. The show runs through the end of May.
Posters, photos, album jackets, clippings, and promotional materials will tell the stories of artists like the James Gang, the Raspberries, Damnation of Adam Blessing, Rastus, Wild Butter, Tiny Alice, Eli Radish, Rainbow Canyon, Michael Stanley, Glass Harp, Blue Ash, and Left End who were making noise outside of their northeast Ohio homebase.
The psychedelic era of the late ’60s brought many more different sounds into rock music and caused record labels to actively seek to diversify their rosters. They began looking for the “next San Francisco,” and Cleveland was on their radar, due to factors like area music fans’ openness to new sounds, the number of former Clevelanders rising in the echelons of the major labels, and the detailed coverage provided in the local media by the Plain Dealer’s Jane Scott, the Cleveland Press’s Bruno Bornino, and the staff of The Scene, then primarily a music magazine.
In conjunction with the exhibit, the Beachland Ballroom will be hosting a public oral history taping with Jim Quinn, guitarist for Damnation of Adam Blessing and longtime area band manager. It takes place at 2 p.m. Saturday April 20. Admission is $5, food will be available, and the bar will be open.
Space: ROCK is a project of Cleveland Rocks: Past Present and Future, a new nonprofit formed last year to bring more attention to Cleveland music history and to support the music scene’s growth into the future. Its offices are on the second floor of the Space: ROCK Gallery.
 For more information about Space: ROCK, contact Anastasia Pantsios at aastasjoy@aol.com.

Wednesday, March 20, 2013

Collinwood Rising - March


In our ongoing monthly series, ArtPlace asked Northeast Shores Executive Director, Brian A. Friedman, what will our work around placemaking look like after the grant period expires in the middle of 2013. Here are excerpts from that conversation.

Will this work live beyond the grant period?
We definitely see this work continuing on after the initial grant period as a ten-year effort to showcase how vacant space is not in and of itself a liability for an urban neighborhood. Rather, these spaces are an opportunity to work with neighborhood stakeholders in reimagining the community we would like it to be. Already, we are seeing this work changing the way people perceive our neighborhood, and we anticipate that it will remain one of our top priorities after our ArtPlace grant period ends.

How will the work you've begun be sustained after your ArtPlace grant?
Our ArtPlace work has been based on a community plan that lays out strategies for how to transform vacant parcels, houses and storefronts into new arts-based community assets. ArtPlace funding is providing us with the opportunity to demonstrate how we can implement this plan. By having several completed projects, we will have a portfolio of work that we can share with foundations, civic leaders and individual donors. This significantly strengthens our ability to sustain funding for the initiative over the coming decade.  ArtPlace funding also is giving us validation and a specific reason to circle back with elected officials and to share with them our revitalization model. As city, county and state development dollars become available, we will have government officials who are better informed not just of our ArtPlace portfolio but of our larger success in neighborhood transformation.

How has this work affected the work you will do beyond the grant period?
ArtPlace funding came at a pivotal time in the neighborhood’s revitalization. The funding has helped catalyze a lot of activity all at once, creating a momentum that will likely result in more private investment. That means that our organization will be able to target its dollars toward particular properties (that would be most difficult for the private market to take on) and particular programming that will have the greatest benefit for our neighborhood rather than having to sustain all ArtPlace activities. 

ArtPlace funding has allowed Northeast Shores to take a more holistic approach to serving artists and helping to rebuild our community. Through listening to the desires of artists, community residents and partners who have a stake in the neighborhood, we were able to broaden our approach to making neighborhood improvements. These improvements have included home and storefront rehabilitation, community gardens, street art projects, and community events. More residents have taken a more active lead in helping design a thriving and inviting community. Such local engagement and leadership are critical to supporting long-term community development. 

Friday, March 8, 2013

Collinwood Rising - January

The ongoing series of ArtPlace-related interviews with our Executive Director, Brian A. Friedman, continues with the following summary from January.


ARTPLACE:  WHAT IS THE BIGGEST RISK YOU’VE TAKEN IN YOUR EFFORTS?  HOW DID YOU GET BURNED, OR HOW DID YOU PREVAIL?

I believe that one of the riskiest parts of the job is partnering with organizations or artists on projects that may fall through the cracks or will not come to fruition.

For example, we were contacted by an artist who was interested in renting property from Northeast Shores to develop a mixed-use artist complex. Northeast Shores worked diligently with the artist to make that a reality and felt that it would be an exciting opportunity and a welcomed addition to the Waterloo Arts and Entertainment District. A considerable amount of resources were used and time was spent on correspondence, touring the property, creating work specifications and drafting paperwork concerning development and preparations to the property.  In addition, the artist actively advertised the impending project.  Midway through the planning process, the artist decided to withdraw due to an unrelated career opportunity. Unfortunately, the artist complex project did not come to fruition. Investing time and resources on a failed project can be a tremendous disappointment to both sides.


However, the void was quickly filled when Cindy Barber, owner of the Beachland Ballroom, came to us with an idea for a different project. This project would involve a newly formed nonprofit organization called Cleveland Rocks: Past, Present and Future. The mission would involve supporting and preserving Cleveland’s popular music.  In addition, Cleveland Rocks would also promote and grow Cleveland’s music economy by building on the presence of the Rock and Roll Hall of Fame Museum. Of course, the most important part is the planning process.  We have met with Ms. Barber to discuss her plans and efforts have been made to obtain and develop property for Cleveland Rocks.  This new project will bring about an invigorating rebirth of the Waterloo area.

There is always going to be some element of risk when working in community development. No matter what you’re doing, no matter how stable, there’s always a chance that something will go wrong. Taking risks can help you expand your horizons and learn new things. Ultimately, how much risk you’re willing to take depends on you. I believe that persistence and resiliency leads to success.  Projects will fall through and you may have to take a few detours, but if you believe in the power of ideas and maintain faith in the neighborhood, the business owners and its residents, situations will eventually work out.


Friday, February 22, 2013

Northeast Shores in the News

Northeast Shores has recently experienced a great deal of press coverage for our effort in the North Shore Collinwood community. If you have not seen the news coverage, here are a few links to these stories.

Northeast Shores' efforts regarding the northern terminus of East 185th Street was covered in two Plain Dealer articles:

http://www.cleveland.com/healthfit/index.ssf/2013/02/cleveland_clinic_and_universit.html
http://www.cleveland.com/healthfit/index.ssf/2013/02/uh_to_build_new_medical_office.html

Efforts to add restaurants to Waterloo Road were covered on the cover of the Plain Dealer as well as Channel 8 news. Please see these links for that story:

http://www.cleveland.com/entertainment/index.ssf/2013/02/waterloo_road_renaissance_unde.html
http://fox8.com/2013/02/21/project-light-switch-aims-for-transformation/